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where can i buy tetracycline Other works had trickier starts. “Mr Britten is still pursuing his old problem of seeing how much indigestible material he can dissolve in music,” wrote the respected critic Frank Howes after the premiere of Albert Herring in 1947. Glyndebourne director John Christie, who had funded the work, expressed his distaste, supposedly telling friends on opening night: “This isn’t our kind of thing, you know.” Even Britten’s friends were alarmed by his last opera, Death in Venice, fearing that he had gone too far in setting the tale of an elderly author obsessed by an attractive, unavailable youth.